"The crowd walks faster, breaking into a sprint or suddenly slackening and losing formation. It looks at times like a game of tig, or a football match without a ball. There is a sense of starlings mysteriously gathering or shoals of fish somehow darting in the same direction without any obvious leader. Above all, it looks atomic, especially as the participants spin away from the group to talk to the rest of us. It is like a microcosm in reverse: Brownian-motion enacted by full-size people."The Guardian
Concept and choreography: Tino SeghalPerformed during "Carte Blanche to Tino Seghal" at Palais du Tokyo in Paris in the autumn of 2017.
The dancers enter into a game in which they continuously reinvent their identities in relation to each other. A rich stage vocabulary of dance, situations, small talk, occurrences and dreams is created by questioning what it means to be close to someone. The present is a creation made up of collaborations and endless variations of all the encounters that take place.
Concept & Direction: Aloun MarchalChoreography: Aloun Marchal, Malin Rönnerman, Gilda Stillbäck and Emilia Wärff Dancers: Aloun Marchal, Gilda Stillbäck, Emilia Wärff Music: Anders Rimpi Costume: Danskompaniet Spinn Lighting: Johan Rödström Producer: ProducentbyrånArtistic leader of the Dance Company Spinn: Veera Suvalo Grimberg
I SITT EGET SELSKAPIn one’s own company
An expressive, humoristic and surrealistic dance and theatre performance. On stage we meet five people trying to find their place within themselves and within the group. But the constellations keep changing, constantly putting them in tricky situations with unexpected dynamics where the off-beat seems to rule.
Choreography: Torgunn Wold Platzack Composer: Gisle KverndokkDancers: Anders Sanzén, Gilda Stillbäck, Henriette Blakstad, Lisbeth Sandnes Espeland, Michael SharmanCostume: Elise Kleiva UglandScenography: Silje SteinsvikLightening: Norunn StandalMakeup: Ann Kristin Røder
What is Argentine Tango and what does it mean to us? These questions were the starting point when director Maria Af Malmborg Linnmanbegan working on the creation TangoLiv, a theatre, music and dance performance commissioned by the Opera in Malmö, Sweden. The scriptwas based on Tango music, lyrics and poems.
Direction: Maria af Malmborg LinnmanChoreography: Carl-Olof BergOn stage: Gilda Stillbäck—dancer and actor, Marie Örn—actor, Carl-Olof Berg—dancer and actorConductor: Andreas KullbergMusicians: Francesco Cali, Jens Lundberg Tarrodi, Jacob Bertilsson, Maria RodrickScenography and Costume: Kajsa Hilton BrownLightening: Iben West
Five dancers, 12 large mirrors and 60 aluminum pipe.The physical movement and the movement compositions meets a world of sounds, light illusions, a sculpture of pipes. The room fills with sixty uniform metallic objects and the emergence of a rain of shiny pipes where the dancers evoke own mirror images and sounding patterns.
Idea and choreography: Eva Ingemarsson Dancers: Gilda Stillbäck, Anna Bergstrom, Janni Groenwold Tschanz and Maria Lindell Composition/piano: Niklas RydenMusic/sculpture: Dan Tommy HildenLight: Viktor WendinCostumes: Helena EkengerSound: Pär BengtssonProduction: Tomas Persson Carlberg and Cecilia Suhaid GustavssonLayout: Petra Landstrom